Now that the apron panel is finished, I turned my attention to embellishing the dresses.
The undergown is commercially sourced 100% linen following an adapted version of a t-tunic sewn with a machine. I chose not to taper the sleeves that Viking tunics have, or go for the “Saxon pucker” as this was modeled after a leinne (Barrett). This turned out to be a very fortuitous decision as within a year of making this, I fell and destroyed my right wrist and needed something that would accommodate a cast that extended past my elbow!
The smokkr is a commercially sourced linen blend (exact components unknown) and a heavily adapted pattern to reduce the number of seams and cuts. Most extant examples of smokkr dresses are of wool. Since I am wearing this on the summer solstice, I opted for linen instead of wool. The straps I used for the smokkr must be attached with pins and the shape/configuration of the straps are a source of contention for a lot of reenactors. (Priest-Dorman)(5)
For the embroidery, I dyed silk and cotton yarns for the embroidery with indigo, using soda ash and thiox (a modern powder equivalent to concentrated hot urine - yes it still smelled bad) to fix the dye in the dye bath and white vinegar to set the pigments on the yarn. Both yarns took the color beautifully and I opted for the silk as it would be a luxury and have a bit more luster than cotton.
Both herringbone stitch and chevron stitch have been found on extant examples of garments from several viking dig sites. (Smith; Priest-Dorman, (5))
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